主演：皮坡·戴尔波诺,Miss,Ming,杰基·贝约尔,莉雅,友兰达·梦露,塞尔日·拉里维埃尔
导演：友兰达·梦露
简介：Produced by Julie Salvador for Christmas in July (which recently co-produced Cannes competitor You Ain’t Seen Nothin’ Yet [trailer]), Henri, the shooting of which will start in the autumn, will be set in the North of France and have Henri as its main character, a fifty-something pigeon fancier who owns a popular brasserie and doesn’t have many more expectations in life. When hi...
主演：克里斯蒂娜·巴伦苏埃拉,Bryce,Papenbrook,基思·西尔弗斯坦,Mela,Lee,马克斯·迈特尔曼,Carrie,Keranen,本·迪斯金
导演：托马斯·阿斯特鲁克
简介：With time, Marinette and Adrien ended up becoming friends. But the collège girl discovers that declaring her feelings for her friend is not so simple, in fact, it will be almost the opposite!For Ladybug and Cat Noir, despite their new powers and teammates that they can call upon when the situation requires it, the fight with Hawk Moth becomes harder and harder. Their opponent is always stronger as long as he can call on Mayura, a villain who can create allies for the Akumatized, the supervillains.More powers, more action, more villains, and more emotions! Season 3 will put Adrien and Marinette to the test Will they be able to keep their secret and prevent their private life from interfering with their superhero adventures
主演：克里斯蒂娜·巴伦苏埃拉,Cristina,Valenzuela,Bryce,Papenbrook,Carrie,Keranen,Keith,Silverstein,马克斯·迈特尔曼,Mela,Lee,Jessica,Gee-George,格兰特·乔治
导演：Thomas,Astruc,Christelle,Abgrall,Wilifried,Pain,Jun,Violet
简介：By daylight, Marinette Dupain-Cheng and Adrien Agreste are ordinary teenagers. But unbeknownst to their family and friends, the two of them carry a huge secret...using the powers of magical creatures called Kwami, they transform into the superheroes Ladybug and Cat Noir! With a mission to protect the city of Paris from the evil Hawk Moth, the two of them must learn to cope with their new responsibilities, as well as ordinary troubles involving love, school, family, and friends. Most of all, they must learn to put their romantic feelings aside in order to perform their duty, unaware of each other's true identities.
主演：内详
导演：Judith,Du,Pasquier
简介：réalisation Judith Du Pasquierun film de Sylvie Quesemand Zucca et Judith Du Pasquierproduction Abacaris Filmscoproduction ARTE Franceavec la participation de LCP Assemblée nationalesoutien Fondation France, CNC, DICOM, Paroles et Cultures, PROCIREP et ANGOAdiffusion ARTE FranceL’anorexie reste une énigme pour les familles, pour les médecins, pour les jeunes filles elles-mêmes. Pourquoi donc s’imposent-elles ces privations extrêmes En France et en Europe, les récits éclairants de femmes guéries et les réflexions de soignants très impliqués abordent l’univers complexe des anorexies contemporaines et explorent les nouvelles manières de soigner.Sélection Prix Média d'Enfance Majuscule 2017
主演：艾曼纽·德芙,儒勒·斯楚克,布鲁诺·波达里德斯,帕斯卡·埃尔贝,Areen,Omari,麦赫迪·德比
导演：罗兰娜·利维
简介：当约瑟夫准备加入以色列军队服兵役时，发现自己不是父母的亲身儿子，在他出生时，他与约旦河西岸的一个巴勒斯坦家庭的小孩亚辛换错了。因这一发现，两个家庭的生活突然发生了翻天覆地的变化，这一发现迫使他们重新思考各自的身份、价值和信念。本片围绕着巴以冲突这个历史悠久而且无法得到有效解决的问题展开，本该互相敌视的两个家庭阴差阳错的抱错了孩子并且把他们分别抚养成人——优秀的人。于是，在本片中，我们看到了民族的敌意，宗教的排斥，但是更多的是互相理解和接受的过程。“我不再是犹太人了，但是我也不是阿拉伯人。”在这样的命题下，我们发现解决这种棘手问题似乎只有一个出发点——在成为“什么人”之前首先成为一个“人”。
主演：,丹尼尔·奥图,Daniel,Auteuil,,艾曼纽·贝阿,Emmanuelle,Béart,,安德烈·杜索里埃,André,Dussollier,,伊丽莎白·布尔吉娜,élisabeth,Bourgine,,Brigitte,Catillon,,Myriam,Boyer,,Stanislas,Carré,de,Malberg,,Dominique,De,Williencourt,
导演：,克洛德·苏台,Claude,Sautet,
简介：史蒂芬（丹尼尔·奥图 Daniel Auteuil 饰）与马克西姆（安德烈·杜索里埃 André Dussollier 饰）是相处多年的好友，性格迥异的两人之间产生的奇妙化学反应让他们成为了工作上的完美搭档。两人共同创建了一个小提琴工作室，提供出售和修理小提琴的服务，日 子过得平静而快乐。作为工作室的客户，卡米尔（艾曼纽·贝阿 Emmanuelle Béart 饰）的第一次光顾就吸引了两位好友的目光，马克西姆更是立刻就对卡米尔展开了热烈的追求，可是卡米尔的目光却落在了表面冷漠的史蒂芬身上。在拒绝和吸引中，三个人的恋情无法得以善终，多年后，当他们重新聚在一起，是否会因为曾经的退缩和恐惧感到淡淡的伤感？
主演：奥玛·希,格洛丽亚·科尔斯顿,克蕾曼丝·波西,安托万·贝特朗,艾什雷·沃特斯,克莱门汀·塞拉里耶,安娜·科蒂斯,拉斐尔·冯·布卢门塔尔,本·霍姆伍德,爱丽丝·戴维,莫娜·瓦尔拉芬斯,拉奎尔·卡西迪,霍华德·克罗斯利,安娜贝尔·洛佩斯,塞西尔·卡塞尔,鲁本·阿尔维斯
导演：雨果·热兰
简介：萨缪尔（欧麦?希饰），黑人移民后代，普罗旺斯地中海峡湾和沙滩上有名的花花公子，白天给老板娘做豪华游艇驾驶员，晚上当迪吧派对主持人，凭借着帅气、幽默以及撩妹的天赋，获得了来来往往各种年龄女人的爱媚。一天清晨，不速之客克莉丝汀（克蕾曼丝?波西饰），抱着3个月大的混血女婴找上门，说孩子是和萨缪尔一年前的一夜情留下的，借口付车费、抛下孩子走了。男主根据脸书上唯一的头像，来到伦敦寻克莉丝汀未果，偶遇法国老乡制片人贝尔尼（安托万?贝尔纳饰），在片场找到了生计，变成超级奶爸，让孩子格罗里亚快乐地长大。八年后的一天，孩子母亲突然出现，情况变得复杂……
主演：乔什·哈奈特,木村拓哉,李秉宪,陈女燕溪,余文乐,伊莱亚斯·科泰斯,欧塞维奥·庞塞拉,谷祖琳,李灿森,林迪安
导演：陈英雄
简介：洛杉矶警察克莱因（乔什?哈奈特 Josh Hartnett 饰）在办案中惨遭羞辱，罪犯嗜血如命，喜欢肢解活人。克莱因身受重伤，仍侥幸活命，但心底留下阴影，被迫革职。3年后，一位中国富商委托克莱因帮忙寻找失踪儿子师涛（木村拓哉 Takuya Kimura 饰），他来到香港，接待他的是好友孟子（余文乐 Shawn Yue 饰），后者亦是警察。在警局，克莱因与师涛擦肩而过。随后，发生荒野命案，孟子怀疑此事为流浪汉（李灿森 饰）所为，两人急忙赶到现场。与此同时，黑帮头目苏东坡（李秉宪 Byung-hun Lee 饰）的情人莉莉（陈女燕溪 Tran Nu Yên-Khê 饰）被狂徒掳走，后者开车逃逸，也来到了荒野处，但被击毙。调查中，克莱因逐渐发现了莉莉、李秉宪、师涛之间的微妙关系……本片为越南导演陈英雄息影7年的回归之作，入选62届戛纳电影节竞赛单元。
主演：罗伦佐·缪西卡,格雷格·白尔杰,霍华德·莫里斯,Thom,Huge,弗兰克·维尔克,Louise,DuArt
导演：Dave,Brain,Becky,Bristow
简介：《加菲猫的幸福生活 第五季》，讲述一段不平凡的“猫鼠大战”。乔恩坚信只要有加菲猫在，就可以保证家里没有老鼠，但实际上情况并非如此，表面平静的家其实人员众多，热闹非凡…… 老鼠小吱要出走几天，所以他让这个不太聪明的小弟—阿文看管家里。结果小吱离开不久，惹是生非的表哥鼠仔就出现了。
主演：克里斯蒂娜·巴伦苏埃拉,Bryce,Papenbrook,Carrie,Keranen,Keith,Silverstein,Max,Mittelman,Mela,Lee,Ben,Diskin
导演：托马斯·阿斯特鲁克
简介：剧情设置在现代巴黎，中法混血的Marinette Dupain-Cheng（玛丽内特·杜平-程）是一个普通的中学女生，性格有些犹疑羞涩，梦想成为时装设计师，暗恋同班的帅气男生Adrien Agreste（阿德里安·阿格里斯特）。当有坏人威胁巴黎时，Marinette化身正义勇敢的英雄Ladybug（瓢虫），搭档爱调戏人的Chat Noir（黑猫），一起打击邪恶势力。但Marinette并不知道面具下的Chat Noir正是她一直不敢表白的男生Adrien，而Adrien也不知道自己的暗恋对象Ladybug却是Marinette。Set in modern-day Paris, the series focuses on a teenage junior high school girl named Marinette Dupain-Cheng and her classmate and crush Adrien Agreste. When evil arises, Marinette becomes a superhero named Ladybug, while Adrien becomes Chat NoirCat Noir. Not knowing each other's true identity, the two work together to protect Paris from a villain named Hawk Moth who covets their powers.
主演：西恩·潘,杰丝敏·特丽卡,哈维尔·巴登,雷·温斯顿,马克·里朗斯,伊德里斯·艾尔巴,彼得·弗兰森,马克·沙尔丹,埃米利奥·布阿勒,卡拉·佩雷斯,托尼·科尔维略,安吉拉·富恩特,玛丽娜·马修斯,大卫·布莱克雷
导演：皮埃尔·莫瑞尔
简介：国际特种部队间谍吉姆（西恩·潘 Sean Penn 饰），为了他的爱人而想要退出组织，但天不从人愿，就在他完成最后一项“任务”时，为了确保自身安全与公司利益，他必须要人间蒸发匿身他处，与心爱的人从此分开。离开组织在欧洲流亡多年后，吉姆以为能够脱离危险，就此过着平静的生活；无奈人生并非他想像中单纯，在刚果被神秘人物追杀的他，被迫放下所有，展开逃亡。逃亡途中他辗转联系到昔日战友，并寻求他们的协助，却也因此发现追杀行动里暗藏着不为人知的祕密，而现在，唯有找出追杀他的幕后主使，才能给他一条生路……
主演：克劳斯·坦格,Ursula,Bedena,Joe,Koener,Birgit,Yew,汉斯·德·芒特,Anna,D'Annunzio,Jean-Michel,Vovk
导演：布鲁诺·福扎尼,伊莲娜·卡泰特
简介：铅黄电影。有点实验性的Cult片，《安娜迷宫》的导演又给大家带来感官盛宴。怪奇公寓妇女失踪，墙后房间通往童年，礼盒爬出帽子刺客，壁纸起伏欲望隧道；时空循环自我谋杀，白发初恋听诊凶案，糖果夹杂玻璃碎片，爆头画皮血流满屋……
主演：罗曼·杜里斯,凯利·蕾莉,奥黛丽·塔图,塞西尔·德·弗朗斯,Evguenya,Obraztsova
导演：塞德里克·克拉皮斯
简介：电影为《西班牙公寓》的续集。时隔五年，塞维尔（罗曼·杜里斯 Romain Duris 饰）已然完成了学业，成为了一名专职作家，放弃一切追逐梦想的勇气值得敬佩，但生活并不会因此而一帆风顺，在可见的未来中，依旧有着许多无解的难题等待着塞维尔。在和玛蒂娜（奥黛丽·塔图 Audrey Tautou 饰）分手后，塞维尔名正言顺的过上了四处猎艳的自由生活，而前者则选择了为人妻母，这让塞维尔的心里多多少少有些不是滋味。为了生计，塞维尔不得不接受一些毫无乐趣的工作，而并不丰富的人生阅历也让他在写作上遭遇了瓶颈。为了解决这个棘手的问题，塞维尔决定好好的回顾一下自己的人生，他来到了位于俄罗斯的圣彼得堡，在哪里，一段新的生活等待着他。
主演：,朱丽叶·比诺什,夏尔·贝尔林,弗朗索瓦·西维尔,
导演：未知
简介：比诺什在片中饰演50岁的离异教师克莱尔，她为了监视自己的情人乔，在Facebook上虚构了一个24岁漂亮黑发女生的人物身份。但是乔只接受自己认识的人的好友请求。为了能接近乔，克莱尔给他最好的朋友克里斯发了好友请求，克里斯接受了。 不曾想，经过一段时间的聊天，克莱尔爱上了克里斯，克里斯也爱上了这个虚构出来的女生，他提出想见一面的要求。于是克莱尔不得不编出了一份繁忙的工作，一次长时间的出差旅行，还有一个嫉妒心很强的前任。她要么只能继续编造各种谎言来维持这份没有未来的爱情，要么就得承认自己的欺骗并做好失去爱情的准备…
主演：罗曼·杜里斯,玛琳娜·佛伊丝,尼尔斯·阿贺斯图普,布兰卡·卡蒂奇,凯瑟琳·德纳芙,艾瑞克·拉夫
导演：艾里克·拉缇戈
简介：保罗在一家律师事务所里有着一份稳定且待遇不薄的工作，每天下班回到装修精致的豪宅之中，又有美丽的妻子萨拉（玛琳娜·佛伊丝 Marina Fos 饰）和两个活泼可爱的孩子笑脸相迎，生活堪称典范。可是，随着时间的推移，保罗渐渐发现，其实现实并没有自己一直以来以为的那样完美。 原来，萨拉对待保罗并非忠贞不渝，她和摄影师格瑞戈（艾瑞克·拉夫 Eric Ruf 饰）之间有这一段隐秘且火热的恋情。得知这一切的保罗陷入了绝望，愤怒之中，他杀死了格瑞戈。时间无法倒退，一切不能重来，成为了杀人犯的保罗逃到了南欧的一座小岛之上，在那里，他渴望能够以另一个身份开始一段全新的生活。
主演：MohamedDjouhri,HaniaAmar,HassanKachach,MehdiRamdani,NadiaKaci,SoniaMekkiou,ChawkiAmari,LamriKaouane,奥雷·阿蒂卡,AbdelazizZeghbib,ZineddineHamdouche,SaadiaGacem,HamidBenSiAmor,SamirElHakim,MohamedLamine
导演：卡里姆·穆萨维
简介：今天的阿尔及利亚：三个故事，三代人。穆拉德，一位离过婚的房地产开发商，觉得身边所有人都在逃避他。艾莎，一个年轻的女孩，在情人和未婚夫之间两难挣扎。达曼，一位神经学家，在婚礼前的一天突然被他的过去所困扰。
主演：纪尧姆·达尔诺,席琳·荣特,达米安·维特卡,安托万·苏姆斯基,卡梅尔·阿卜德萨多克,克里斯多夫·勒莫因,纪尧姆·布谢德,鲍里斯·雷林格,玛佳丽·罗森茨威格,让·卢·霍维茨,伊夫·阎
导演：本杰明·雷内,帕特里克·英伯特
简介：电影分为三个可爱的小故事。一天，在风景怡人的农场里，小猪、兔子和鸭子见到了一个人类的小宝宝。负责护送小宝宝的鹈鹕拜托三只小动物将宝宝平安的送到他的人类母亲的手中，就这样，三只有些脱线的动物踏上了旅途。大坏狐狸一心想要将肥美的母鸡当做自己的盘中餐，无奈母鸡太过强大，狐狸根本不是她的对手。既然打不过母鸡，狐狸将“魔爪”伸向了母鸡正在孵的三枚鸡蛋，狐狸决定将这三只小鸡孵出来养大之后再把他们一一吃掉。然而，三只小鸡似乎将狐狸当成了他们的妈妈，亦以为他们自己也是狐狸。圣诞节就快要来了，农场里的动物们都欢天喜地的准备迎接圣诞老人的到来。然而，鸭子和兔子却在一场意外之中“杀死”的圣诞老人。
主演：内详
导演：洛朗·维茨,亚历山大·埃斯皮加雷斯
简介：这是一栋弥漫着漫长历史气息的老房子，墙上挂满了照片，屋顶上的灯接触不良，几经开关才能点亮。房主人哈布洛先生头戴精密仪器，他推开阳台的门，眼前竟然呈现一个被硕大笨重却精密、带着极强蒸汽朋克气息的机械世界。甚至连窗台上的花和路边的狗也都是工业化的产物。哈洛夫先生固守自己的房屋，工作和生活全都在斗室内完成。可是他平静枯燥的生活被那条机器狗打乱了，小狗蜷缩在街角，怯懦而无助。接连两天，哈洛夫都被小狗的声音所牵制。眼看狗狗即将被垃圾车毁灭，这位害怕踏出房门的先生决定鼓起勇气冲出去……本片荣获2013年3D艺术节S3DSeine-Saint-Denis最高奖和最佳动画短片奖。
主演：让-皮埃尔·利奥德,德菲因·塞里格,克洛德·雅德,迈克尔·朗斯代尔,哈里-马克斯,安德烈·福尔肯,丹尼尔·塞卡尔迪,玛丽-弗朗丝·皮西尔,雅克·里斯帕尔,保罗·帕维尔,马汀娜·波萨,罗杰·特拉普,Catherine,Lutz,Claire,Duhamel,Martine,Ferrière,Fran?ois,Darbon,Serge,Rousseau,Marcel,Berbert,Jean-Fran?ois,Adam
导演：弗朗索瓦·特吕弗
简介：本片是特吕弗著名的“安托万系列”的第三部，但影迷通常忽视短片《Antoine et Colette》误将其认作第二部。23岁的Antoine Doinel（Jean-Pierre Léaud 让-皮埃尔?李奥）从军队逃出后，虽侥幸逃脱惩罚，却因殴打警察入狱，不良记录对 他找工作造成妨碍，他先后做过旅店守门人、私家侦探等职业。过程中，安托万联系上了昔日女友克里斯汀。两人的感情暧昧而不确定。而按客户要求混进一家鞋店盯梢风情万种的老板娘时，他又将其迷上，感情的天平开始在两个女人之间摇摆。
主演：普鲁内尔·查尔斯·安布隆,恩佐·拉齐托,纳塔莉?德赛,布鲁诺·帕维奥,杰里米·洛佩兹,哈里森·阿雷瓦洛,尼古拉斯·潘切瓦,蒂莎·达维拉·本萨拉,米歇尔·伊莱亚斯,帕斯卡尔·佩斯特尔,保罗·班迪,伊莎贝尔·嘉德,莉莲娜·罗维埃,卡里姆·姆里巴,奥利维耶·克拉弗里,伊丽莎白·杜达
导演：米歇尔·欧斯洛
简介：十九世纪末正是巴黎的“美好年代”，新艺术百花齐放，新技术层出不穷，在这黄金盛世的背后却传出一连串女童被拐骗的声音，见义勇为的混血小公主迪丽丽和好友快递员踏上幻险旅程，穿梭于巴黎的各处名筑和大街小巷，拯救被困女童，途中邂逅居里夫人，毕加索，马蹄斯，罗特利特，莫奈，普鲁斯特，莎拉·波恩沙特，等众多时代天才名人，并得以慷慨相助。被誉为‘色彩魔术师’的法国动画大师米歇尔·欧斯洛继《叽里咕和女巫》、《夜的神话》、《王子与公主》等动画片大获成功之后，又一部经典之作问世。《迪丽丽的奇幻巴黎》勾勒了一幅绝美的巴黎风情画和群英谱。展示出现实题材和原创动画的可能性。本片《迪丽丽的奇幻巴黎》首次呈现真景与动漫结合的创作风格，实现了一场先锋动画革命。
主演：内详
导演：Thomas,Astruc
简介：《瓢虫雷迪》（法语：Miraculous, les aventures de Ladybug et Chat Noir，又简称为Miraculous Ladybug），是由法国的Zagtoon、Method Animation、意大利的De Agostini Editore、日本东映及韩国SAMG Animation所共同制作的动画系列，主角玛丽娜变身为瓢虫雷迪，与伙伴黑猫诺尔一起对抗在巴黎制造混乱的神秘反派。2015年10月19日在法国的TF1频道首播，已播至第五季。2018年本作获得青少年票选奖的电视动画节目奖。
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...?Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life? can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.